Trapped between the
hormone-driven world of her friends and the discontent of her dysfunctional
family, fourteen-year-old Georgia is only completely at ease when she's
dancing. When she is accepted into Canada's preeminent ballet school, Georgia
thinks it is the perfect escape. Artistic Director Roderick Allen singles her
out as a star, subjecting her to increasingly intensive training, and Georgia
obsesses about becoming the perfect, disciplined student. But as she spends
more and more time with Roderick, it's not so clear exactly what their
relationship means. Is he her teacher and mentor, or is there something more?
These blurred lines will threaten both Roderick's future at the academy and
Georgia's ambitions as a ballerina.
Um...
Well...
This is an odd book,
which makes it difficult to review. I
went into it thinking I would get real insight into the ballet world, all the
hard work that goes into it, and how it feels to strive for something so incredibly
difficult. But we didn't really get that. Well, we got some, and what was there
was done really well. It's clear the author has studied ballet and knows the
mechanics of it. I really liked that. I was just hoping for more.
I wanted to feel the aches
and pain that comes out of hard, physical work, but there is only a brief
mention of physiotherapy. I wanted to see the hours and hours of practice, but
Georgia only practices on her own once, and that was a few extra minutes before
class. To be good enough to get into the most prestigious ballet school, she
would have to live and breathe ballet. But she lives and breathes something
else: Sex.
This is where the book
lost me. Entirely. Granted, at age fourteen many girls are discovering their
bodies as well as sexuality. There were brilliant moments of this, but they
were lost in the complete saturation of sex everywhere else. I'll come back to
this...
The environment at the
ballet school didn't seem very different from regular high school. Some of the
girls are horrible, pushing other girls into doing terrible things 'for their
own good.' Georgia goes with the flow, only standing up for another girl once,
and never stands up for herself. She allows herself to be led into bad
situations (like the party at the end), *not once* thinking ‘perhaps this is a
bad idea,’ even after so many other bad things have happened. Then, when
everything inevitably goes wrong, she does nothing to get herself out.
This kind of translates
into Georgia’s inability to see anything beyond herself. Some examples:
*When Pilar comes to
her school, she thinks it's because of her—even though the incident with
Chantal has just happened and some really big clues are dropped beforehand.
*She doesn't even try
to do the math regarding her parents' marriage and her birth, even though the
margin is huge.
*She refuses to see the
correlation between her parents and Roderick.
I realize that teens
are self-centered, but Georgia takes this to the extreme. Some of this is
explained by her extreme insecurity, which is fine because many teens are
insecure, but she shows no growth or change by the end. In fact, she kind of
gets worse. There is a scene where Georgia gets turned on at the prospect of being
sexually assaulted. That's seriously disturbing. As is what she puts in her
teacher's desk drawer. Only her father and principal seem to see this and want
to get her counseling, but that doesn't happen. SPOILER WARNING: Instead she
quits the school and auditions at another one (where there's another male
ballet teacher—almost implying that history will repeat itself and she hasn’t
learned a thing). That doesn't exactly send a great message to teen girls. END
SPOILER
Overall, I found this
book extremely uncomfortable, and I didn’t want to finish it. Just to be clear,
I love books that don't sugar-coat the difficulties in life and make me see
things in a different way. This book certainly doesn't sugar-coat, but not in a
thought-provoking way. Georgia isn't likable enough for that.
Given the complete
saturation of sex in this story, including exposure to pornography, this story
is definitely not for younger teens. The fact that Georgia is 14 is a bit
misleading. Actually, I wouldn’t recommend this story to any teen. It feels more like an adult book with a teen protagonist.
4 comments:
Hmm, this doesn't sound like my kind of read, and I can see why it was difficult for you to review.
Wow. An interesting review; sounds like a difficult book. I'm not sure why the trend for YA books is to go so much into the sex/drugs angle...why no edgy/wholesome books for teens? Okay, I think I just answered my own question, lol...
I wonder if there's a genre for TYA (Troubled Young Adults). :)
It was sounding a bit like Black Swan there for a bit.
Kelly - it was really difficult to review. I went into it thinking it was going to be one thing, and it ended up being something else entirely. Which is fine, as long as i can understand and follow along. For this story, i didn't understand why sex so permeated the story, or what that had to do with ballet.
Christine - if it feels natural to the story, I'm okay with sex/drugs/etc. It just needs to make sense with the characters and setting. For this story, i didn't get the connection. For either.
Dianne - yeah, it does feel like Black Swan at times. The biggest difference is that the focus of Black Swan is still the dancing. She's crazy, yes, but the driving force is to be a better dancer. In Various Positions, the dancing feels like an afterthought. I wish it had been more integrated with the rest of the story.
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